Die City-Cobra: Sendetermine · Streams · DVDs · Cast & Crew. babiesandanimals.eu - Kaufen Sie Die City Cobra günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. babiesandanimals.eu: Bei den Filmfestspielen in Cannes waren wir live dabei, als Sylvester Stallone enthüllte, dass „Die City-Cobra“ als Serie.
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Ein Serienkiller treibt in Los Angeles sein Unwesen und hat es dabei vor allem auf Frauen abgesehen. Auch das Model Ingrid gerät ins Visier des sogenannten `Schlitzers', entgeht aber knapp dem Mordanschlag. Marion Cobretti, genannt Cobra, der. Die City-Cobra (auch Die Cobra-Cobra) ist ein US-amerikanischer Actionfilm aus dem Jahr mit Sylvester Stallone und Brigitte Nielsen in den Hauptrollen. babiesandanimals.eu - Kaufen Sie Die City Cobra günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Die City Cobra. ()1 Std. 22 Min Sylvester Stallone creates another electrifying American hero in the Rocky/Rambo mold: Cobretti the cop, a fearless. Die City-Cobra: Sendetermine · Streams · DVDs · Cast & Crew. Die City-Cobra ein Film von George Pan Cosmatos mit Sylvester Stallone, Brigitte Nielsen. Inhaltsangabe: In Los Angeles ist ein gefährlicher Serienmörder. babiesandanimals.eu: Bei den Filmfestspielen in Cannes waren wir live dabei, als Sylvester Stallone enthüllte, dass „Die City-Cobra“ als Serie.
Die City Cobra. ()1 Std. 22 Min Sylvester Stallone creates another electrifying American hero in the Rocky/Rambo mold: Cobretti the cop, a fearless. Ein Serienkiller treibt in Los Angeles sein Unwesen und hat es dabei vor allem auf Frauen abgesehen. Auch das Model Ingrid gerät ins Visier des sogenannten `Schlitzers', entgeht aber knapp dem Mordanschlag. Marion Cobretti, genannt Cobra, der. Die City-Cobra ein Film von George Pan Cosmatos mit Sylvester Stallone, Brigitte Nielsen. Inhaltsangabe: In Los Angeles ist ein gefährlicher Serienmörder.
When Sylvester Stallone was signed to play the lead in Beverly Hills Cop, he decided to rewrite the script almost completely, removing nearly all the comedic aspects and turning it into an action movie that he felt was better suited to him.
The studio read his revised script, and they rejected it, citing action scenes that were far beyond what their projected budget would allow. Stallone eventually left Beverly Hills Cop, and he channeled his ideas for that movie into an original script.
The novel Fair Game by Paula Gosling was cited as source material, enough so that she received a screen credit. When Cobra came out, Sylvester Stallone allegedly wanted the novel to be reissued with himself credited as co-author.
Gosling declined the offer. The movie Fair Game was also based on the same novel by Gosling. Sylvester Stallone's earlier draft of the script had a lot of differences from later drafts and the final film.
These include the opening shootout taking place in movie theater instead of a grocery store during which a lot more people are killed, Cobra mentioning how he had a girlfriend who was killed by some psychopath he was trying to catch, an additional big action sequence taking place during night on a boat where Cobra and Ingrid are hiding when they get attacked by the Night Slasher's cult members but Cobra and Gonzalez manage to kill them all, and a different ending in which it's revealed that Monte was the actual leader of the New Order cult and when he tries to kill Ingrid he gets shot and killed by Cobra.
Cobra needed much additional editing because the film was so graphically violent that, at first, it received an X rating from the MPAA.
Warner Bros. Brian Thompson auditioned seven times before he was hired. On the fourth audition he met Stallone, who thought that Thompson was too nice to play the Night Slasher.
But after a screen test, he immediately got the job. Also in original script, the Night Slasher was called Abaddon, possibly after the "angel of the abyss" from the bible.
Thompson repeatedly sought Stallone's advice about how to play the Night Slasher, including questions about his background and personal motivations, but Stallone showed no interest in the subject and told Thompson that the character was simply evil.
In an unfortunate surprise for Thompson, after filming was completed, director Cosmatos unexpectedly told him: "You could have been good if you had listened to me.
Originally, Cobra was supposed to be filmed in Seattle, climaxing with a motorcycle chase scene on a ferry between the islands.
Even though everything was prepared to start filming the final theatrical version of the scene at night, Stallone demanded the ending be changed because of the mosquito problem at that time, which would have made night time filming very difficult to endure.
The supporting cast and extras were forbidden from talking to Stallone on set. At one point during filming, Stallone complained to cinematographer Ric Waite that they were falling behind and that he needed to push his crew to work harder.
Waite responded by telling Stallone that the delays were due to his fooling around with Brigitte Nielsen and showing off for his bodyguards.
Although Stallone was shocked that somebody would talk to him that way, he cleaned up his act and behaved more professionally, although he returned to his old egocentric behavior a few weeks later.
Waite later said in an interview that, despite his huge ego, Stallone had a great sense of humor. He also confirmed a rumor that Stallone was the true director of the film, calling George P.
Cosmatos a good producer but a bad director. For the Night Slasher's monologue in the lead-up to the final fight, Brian Thompson did the scene with a script girl standing in for Stallone, who was busy watching a basketball game on TV.
The custom Mercury driven by Cobretti was actually owned by Sylvester Stallone. The studio produced stunt doubles of the car for use in some of the action sequences, such as the jump from the second floor of the parking garage.
The production built three Cobra cars for stunt work. Although they were identical on the outside, their moving parts were designed for specific sequences, involving high-speed swipes with other vehicles, degree turns, jumps, and degree spins.
The knife used by the Night Slasher was made for the film by knife designer Herman Schneider. Sylvester Stallone asked Schneider to create a knife that audiences would never forget.
The 9mm variant was made specifically for the film normally it fires. Later in the film, he uses a Jati-Matic submachine gun. The first rough cut was over two hours long the closest estimated original running time is minutes.
It was then shortened to a roughly two-hour director's cut which was intended to be released in theaters. Stallone removed much of the plot and scenes involving characters other than his own.
The full extent of the censorship is unknown, but based on director Cosmatos's commentary and several other sources, some of the cut scenes include:.
Besides these cuts, a few scenes in which the Night Slasher and his gang are killing people were slowed down for continuity reasons since demanded cuts made the editing of the scenes look choppy , while some of the shootouts which were originally in slow-motion were instead played at normal speed in order to cut prolonged death scenes of gang members, plus close ups of many bullet holes which were also cut.
Eventually, the movie received an R rating and was released in theaters with a running time of 84 minutes, approximately 50 minutes shorter than the first assembly cut and 30 to 40 minutes shorter than the director's cut.
Much of David Rasche's role was cut. The car chase between Cobretti and the Night Slasher was originally longer and ended differently.
In the theatrical version the Night Slasher shoots at Cobretti's car and causes him to crash into the boat.
In the original version the Night Slasher and his driver are the first ones who crash into the boat; Cobretti fails to stop his car in time and crashes into them.
Shots of the Night Slasher's car turning around and him breathing in relief after Cobra crashes his car were taken from an earlier part of the chase and the shot of Cobretti seeing the boat before he crashes into it was actually taken from the Night Slasher's car crash.
In the theatrical version, the Night Slasher's crashed car is still visible in scene where Cobretti crashes into the boat.
The first cut of the movie featured a slightly different version of the climactic confrontation between the Night Slasher and Cobretti. Where the final version features a longer exchange between the two, in the earlier version Cobretti appears right after the Night Slasher screams "We are the future!
There is a noticeable continuity mistake in the final version: when Stalk jumps on Cobra there is a fire behind him, which isn't visible during the preceding conversation.
This is because Stallone's closeups were shot later in a different location. The official soundtrack release includes a track called "Skyline" which is not heard anywhere in the movie.
This is because scenes in which this track was used were cut during the re-editing. Originally there was a scene in which Cobretti is sitting in his home, looking at the sunset there is a similar scene in the beginning of theatrical version in which he is cleaning up his gun and then looks out the window and soon, right after the Night Slasher and his gang members have killed the second victim and cops show up at the scene, Cobretti gets a call to go and meet with them.
Although no uncut version or director's cut has ever seen an official release, a timecoded workprint sourced from poor quality VHS copies exists as a bootleg.
It contains all of the X rated scenes and uncut action sequences, along with scenes explaining the motives of the New Order gang, focusing on characters such as the Night Slasher and Stalk, alternate lines of dialogue and a temporary score which contains some of the songs and music from the theatrical version and pieces of scores from other movies.
An audio cassette and vinyl version were released on September 21, , followed by a CD which was released in as the Original Motion Picture Soundtrack.
Cobra opened the widest for a Warner Bros. Cobra was a critical failure. The level of violence even after re-editing was also considered gratuitous.
The TV Guide stated that "Stallone's character is an empty hulk Director Nicolas Winding Refn is a huge fan of Cobra. In Refn's cult film Drive the main character has a toothpick in his mouth in some scenes; this is Refn's homage to the opening scene where Stallone has a matchstick in his mouth.
The main star of the film, Ryan Gosling , also said in interview that he is a fan of Stallone and Cobra which is why he "borrowed" his character's toothpick habit from Cobra.
In May at the Cannes Film Festival , Stallone discussed that a remake is in development in the form of a television series. The studios involved have not-yet decided whether it will be a film or television adaptation.
From Wikipedia, the free encyclopedia. Theatrical release poster by John Alvin. The Cannon Group. Release date. Running time.
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City agencies do not handle COBRA enrollee transfers, or process any future changes such as adding dependents.Traumhaus Rtl Neueste zuerst Spitzenrezensionen. SymonsDon Zimmerman. Der Film wurde sechsmal für die Goldene Himbeere nominiert. Nur noch 1 auf Lager. Produktions-Format. Der Hobbit Kostenlos Anschauen ab dem 8. George Pan Cosmatos. Shopbop Designer Modemarken. Sie Three Girls eine E-Mail mit Details nach Ntvnachrichten.
City Cobra Navigationsmenü VideoSedat Rama - Cobra City Dibran Hoxha (Official Video 4K) It's Stallone, it's Cannon and it's classic. Dann erwarte ich den ganzen Film. Sylvester Percy Hynes White. Zum Trailer. Wolfgang Kühne.
City Cobra NYC Health Benefits Program VideoSylvester Stallone - City-Cobra - Parkplatz Szene (Deutsch/German) Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Leonard, with his left eye shut and time running out, resumed his attack in the 14th. Marvin Hagler Raul Aguirre. Billy Goodwin. Beste Maxdome Filme Bros. Serie - Sylvester Stallone – „City-Cobra“ wird Fernsehserie. Sylvester Stallone kümmert sich um seine alten Filmfiguren. Nachdem er Boxer. Jerome Hill. He had wanted to make Beverly Hills Cop a less comedic and more action-oriented film, Qvc M Asam Tagesangebot the studio rejected as being far too expensive. Later in the film, he uses a Jati-Matic Hood Deutsch gun. As a result of breaking his right hand, Hearns began to use lateral movement and a good jab to keep Hagler at bay as best he could. Clyde Gray. Acting lessons are the cure. May 20, Billy Goodwin. Hearns was born in Grand Junction, Tennesseeon October 18,the youngest of Musik Filme Stream children in his mother's first marriage. Ray Fields.
City Cobra Navigation menu VideoDie City Cobra (Clip)
Der Film wurde sechsmal für die Goldene Himbeere nominiert;. Stallone sollte eigentlich die Hauptrolle in Beverly Hills Cop spielen. Der Film wurde in Los Angeles gedreht.
Die Ehe wurde am Juli geschieden. Mai indiziert. Der Verleih Warner Bros. Die ungeschnittene Fassung des Films erschien daher nur im europäischen Ausland; Deutschland wurde mit einer zensierten Fassung bedacht.
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Deutscher Titel. Die City-Cobra. Vereinigte Staaten. FSK 18 . George Pan Cosmatos. Sylvester Stallone. James D. Brubaker , Yoram Globus , Menahem Golan.
John Cafferty Titelsong , Sylvester Levay. Ric Waite. James R. Symons , Don Zimmerman. Cobra is something else. It is a testimonial of what the USA were about in the late Reagan era.
The film introduces us to Marion Cobretti, a cop with an attitude who won't respect the rules since they are made to protect the bandits, the killers and the rapists.
He thinks that to fight those, he has to act like them. That is how he gets into conflict with his boss, Monte who is presented as a liberal freak who'd rather let people get killed than to use violence on the evil men.
In a particular scene, Cobretti and his colleague Gonzales are talking about how they'd like to punch a hole in this Monte's chest. They are half-joking about it but you still feel that those trigger-happy cops would pretty much be able to do it anytime if they felt like it.
That same Monte is also presented as the person responsible for hiring a traitor female cop and forcing Cobretti to work with her.
The result of this is that Cobretti almost gets killed because of the left-wing tolerant attitude of this liberal superior.
At the end of the movie, Cobretti saves the day by using every technique he knows to exterminate his foes shooting them, blow them up, put them on fire, etc.
What really fascinates me the most in this film is how those ideas were mainstream less than 20 years ago. How crowd were supposed to react positively to this final punch in the mouth making a statement that liberals were responsible for the rise of crime in our society.
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